Canon EOS 6D Mark II Review

                             

Does spectacular full frame DSLR image quality in an exceedingly lightweight, compact, nicely-featured body with a really modest tag sound sensible to you? The Canon Greek deity 6D Mark II may well be your camera.
Positioned below the 5D series in their Greek deity lineup, Canon envisions the 6D series as a increase from associate degree APS-C model or as associate degree entry-level DSLR for people who grasp the light-capturing price of a full frame sensor's considerably larger expanse. In many ways, the Greek deity 6D series is to Canon's full frame sensing element camera lineup what the Rebel series is to their APS-C sensing element lineup. because the original Digital Rebel brought affordability to the DSLR market, the initial 6D brought affordability to full frame cameras. whereas the 6D series of cameras won't be mistaken for the most-advanced and powerful full frame models out there, these cameras ar terribly feature-filled, benefiting considerably from recently-introduced technology, nevertheless they're tiny and lightweight with a extremely enticing worth and particularly high image quality for that worth.


Canon  6D Mark II


Summary of Canon EOS 6D Mark II Features


  • New 26.2 MP CMOS imaging sensor featuring Dual Pixel CMOS AF
  • 45-point AF system (all cross-type)
  • ISO 40000 expandable, to 50 (L), 512600 (H1) and 102400 (H2)
  • DIGIC 7 processor
  • Intelligent viewfinder featuring 98% view
  • First full frame model to feature Vari-Angle Touchscreen LCD (1.04 million dots)
  • 6.5 fps
  • Flicker Mode adjusts shutter release timing to avoid flickering light issues
  • Full HD 1080p 60p movies with 5 axis electronic image stabilization
  • WiFi, NFC, Bluetooth & GPS
  • Continuous shooting after 10 sec. self-timer (2 to 10 shots)
  • Intervelometer with 4K Timelapse Movie Mode featuring 3840px UHD resolution
  • Deeper grip design for better control
  • Dust- & Water-resistant
  • Only 685g

Canon EOS 6D Mark II Review





Canon EOS 6D Mark II



Sensor and Image Quality

I perpetually forestall to reviewing a camera introduced with a fresh imaging detector as I expect the newest schoolnology to be enclosed in an exceedingly new style and that i apprehensively look to visualize the results of that latest tech. And, the Canon Greek deity 6D Mark II sports simply that – a fresh imaging detector. Following may be a table showing the detector and a few further specifications for a few of Canon's current and up to date Greek deity camera models

While the 6D Mark II's 26.2 MP resolution is high and this number bests the review-time-current APS-C models, 26.2 MP yields an only mid-level pixel density relative to the other currently available full frame format models. Still, the benefits of the large amount of light captured by the larger full frame sensor format is huge and that benefit is not lost in the 6D I


I.

With roughly a pair of.5x the maximum amount area (864mm2 vs. 338mm2), a full frame device is ready to capture well a lot of lightweight than a still-large-itself APS-C model. That distinction is detected in image quality, particularly once lightweight levels go down. Providing ANgles of reading considerably wider than an APS-C format camera mistreatment a similar focal distance, full frame cameras need longer focal lengths for identical subject framing which suggests that a far stronger background blur is created. a powerful background blur could be a very highly-desired attribute for several subjects and alone a powerful reason to travel with a full-frame camera model. For a better verification the twenty-six.2 MP resolution, I direct you to the site's image quality tool, specifically showing a Canon Eos 6D Mark II take a look at image captured with the Canon EF 200mm f/2L IS USM Lens


Noise levels area unit a primary image quality concern and another one in every of the most important edges of full frame sensors, with their massive extent capturing a bigger quantity of sunshine than the smaller format choices, is that the terribly high signal/noise ratio they deliver. The 6D Mark II noise take a look at leads to the site's noise comparison tool create the capabilities of this camera promptly apparent. Ctrl-click thereon link to open the comparison in a very new tab. I know, with over two hundred samples out there, I got a touch over excited with this camera take a look at. Keep in mind that, unless otherwise indicated, these results had no noise reduction applied. Noise reduction is accessible to pictures captured by any camera, either in-camera or throughout post process, that means that noise reduction technology isn't an enormous person between models (unless maybe shooting in JPG format in-camera). What the camera will manufacture while not that facilitate, the sans noise reduction results, will be a really massive person. The evenly-colored blocks within the Kodak take a look at chart create any noise gift terribly noticeable. beginning with the "Standard" results, it's not stunning to check terribly sleek color replica at ISO a hundred. Even APS-C cameras will do this. The distinction between ISO a hundred and two hundred is tough to tell apart with results remaining terribly clean. Comparing ISO four hundred results with ISO a hundred results shows a small distinction in noise levels, however, ISO four hundred will be used with no hesitation in most cases. The noise increase progression continues at ISO 800, but again, the results area unit terribly clean and that i still don't have any hesitation in exploiting this setting. The state of affairs is comparable within the step to ISO 1600, although the quantity of increase in noise becomes more noticeably accrued. ISO 3200 results still look nice and stay usable for many functions. The sensing element will capture the quantity of sunshine that reaches it throughout the exposure, supporting the shutter open longer and therefore the lens aperture gap being employed. Turning up the ISO setting doesn't as if by magic produce a lot of lightweights, however, instead amplifies the signal coming back from the sensing element. Less lightweight reaching the sensing element suggests that a attenuated signal/noise ratio that becomes obvious at high amplification and at ISO 6400, 6D II pictures begin taking over a lucid quantity of noise. whereas I notice the noise levels at ISO 6400 terribly adequate for several uses, those at ISO 12800 begin turning into objectionable underneath associate degree accrued variety of eventualities. ISO 25600 could be a pis aller on behalf of me. Noise and details begin turning into exhausting to differentiate. I know, ISO 51200 and 102400 are out there (H1 and H2). But, once noise exceeds details, I see the potential as being enclosed for selling functions and bragging rights solely. Not solely am i able to not scan several of the words on the take a look at chart at ISO 102400, i can not even tell that a lot of area unit words.


How do the Canon Greek deity 6D Mark II noise levels compare the initial 6D? Despite the enhanced resolution, the 6D II's noise levels area unit terribly slightly improved at the pel level. retrenchment the 6D II pictures to 6D pel dimensions can offer a further advantage to the 6D II results. is that this distinction alone enough to warrant Associate in Nursing upgrade? Not in my opinion. a discount in high ISO noise won't doubtless spur several 6D to 6D II upgrades, however rest assured that a lot of alternative blessings the II has can justify this upgrade.
How do the Canon Greek deity 6D Mark II noise levels compare the 5D Mark IV? during this case, the 5D IV has the upper resolution and during this case, i am troubled to select a winner. If you cannot simply see a distinction in these check chart results, you'll not see a distinction in world pictures. That the 5D IV pictures are often reduced to match the 6D II's image pel dimensions provides it a small advantage.
How do the Canon Greek deity 6D Mark II noise levels compare the 5D Mark III? The 5D III features a with modesty lower resolution, however it's a remarkable comparable because it prices solely slightly over the 6D II at its introductory value. during this comparison, we have a tendency to see that the 6D II and 5D III perform terribly equally throughout the ISO vary, though the 6D II after all features a slight resolution advantage.
There area unit more comparisons awaiting you within the site's tool. Let your eyes be the decide between the check results. to look at a comparison that's simple on the eyes, explore the 6D II up against recent APS-C device technology.
Included within the noise tool for the 6D II area unit 3 sets of ordinary results with brightness enhanced by the selected quantity in Canon Digital pic skilled (excellent free/included RAW image process software).
Even additional fascinating to American state area unit the result sets captured at brightnesses starting from -3 to +3 eV. These results were then equal to the quality brightness in DPP with dynamic vary indications changing into gift. The Greek deity 5D Mark IV is a wonderful performing artist during this regard and comparisons against this camera can facilitate in understanding wherever the 6D II aligns. within the Exposed -3 eV comparison, the 5D IV shows considerably less noise at ISO one hundred than the 6D Mark II will and it still shows perceptibly less at -2 eV ISO one hundred. At higher ISO settings, the variations area unit more durable to sight. there's very little distinction between these 2 cameras at -1 eV.
Overexpose the capture and overall noise levels go down perceptibly, a part of the ETTR (Expose to the Right) strategy. However, dynamic vary problems will become gift with overexposure and also the individual R,G,B channels (or all of them) will become blocked, lacking detail. within the color blocks, watch for the colours to vary from the initial.
At +1 EV, the 6D II seems just like the 5D Mark IV. At +2 EV, we have a tendency to see pictures from each the 6D II and 5D IV starting to lose some color detail within the brightest parts of the image. the 2 cameras seem similar at now and with the exception of the bottom-most yellow block, they're concerning identical at +3 eV.
What we have a tendency to learned here is that, whereas the 6D II might fall slightly in need of the 5D IV in its dynamic vary capabilities, it's not too distant, particularly considering its considerably lower cost purpose. with regard to dynamic vary, additional is often higher. If given the choice, i will invariably opt for additional. However, keeping exposures at intervals a stop of ideal, between -1 and +1 stop of right-on, isn't really laborious to realize which is definitely at intervals the 6D II's capabilities. Scenes with dynamic vary extraordinary the camera's single-image capabilities area unit a somebody, however the dynamic vary of such scenes will typically need exposure bracketing even once victimization the best dynamic vary full frame cameras out there.
A try of beneath and overexposed sets of JPG-captured pictures illuminate a reason to use the RAW format, particularly if dynamic vary is of any concern.
As usual, a group of in-camera-created JPG pictures area unit enclosed. like the remainder of the pictures conferred within the noise comparison tool, these pictures utilize the quality image vogue. A distinction is that, for the JPG results, I used the default sharpening parameters of this vogue (vs. a sharpness = one setting) which distinction is sort of noticeable. The sharping halos (look for the intense borders to the black dividing lines) area unit ugly till concerning ISO 6400 once they begin to induce lost within the noise. luckily, the quality image vogue sharpening parameters are often dialed back in-camera. positively create that modification.
Noise reduction may be a terribly useful gizmo, particularly for pictures captured at higher ISO settings. whereas noise reduction makes an enormous distinction in visible noise, image details will go missing with noise reduction application. My style is for light-weight noise reduction (and none at low ISO settings), however a range of sample sets area unit provided. Those indicating JPG were captured as JPGs in-camera vs. RAW files processed in DPP (and used the default commonplace image style). The RAW file tests that includes noise reduction (indicated by the "NR" label) used settings that were either applied by the camera or as defaults in DPP (the camera and DPP results vary slightly).
The MSNR results show the aptitude of Multi Shot Noise Reduction, conjointly with the default commonplace image vogue and settings designated (JPG capture is needed for MSNR). MSNR merges info from multiple exposures taken in Associate in Nursing automatic max-frame-rate burst into a reduced noise image. MSNR shows nice improvement (a 2-stop comparison), however this feature has restricted quality in world shooting.
The downsides to Multi-Shot Noise Reduction include: MSNR is presently out there solely with JPG output (I would love to check this feature adscititious to Canon's Digital pic professional code for RAW capture process – maybe as another HDR preset). Multi-Shot Noise Reduction isn't therefore helpful with subjects in motion (or with a moving camera). Long exposure NR, mud Delete knowledge, Multiple Exposure and HDR Mode should be set to off to change MSNR. The 6D II reverts back to straightforward NR in Auto/Basic zone modes, throughout video and in Bulb mode. Flash isn't supported in MSNR mode.
After the multi-shot burst is captured, the camera remains "busy" for a relatively-short amount of your time whereas process the unified image. So, whereas this feature may be a nice plan, the constraints create it less helpful in real-world applications. i'm additional doubtless to use an occasional ISO setting with a extended exposure in conjunction with long exposure noise reduction once shooting a stationary subject from a stand.
The Canon Greek deity 6D Mark II ISO settings out there area unit 100-40000 in 1/3 stop increments with ISO fifty (L), 51200 (H1) and 102400 (H2) out there.
Worth mentioning is that the colour delivered by Canon Greek deity cameras is just glorious. This attribute alone are often a decision-making attribute and overall, the 6D II produces stunning image quality.

To test the Canon Greek deity half-dozenD Mark II's 6.5 FPS drive mode and twenty one frame RAW file buffer specs, the camera was organized to use ISO one hundred, the max-available 1/4000 shutter speed (no expecting the shutter operation), a good open aperture (no time lost thanks to aperture blades closing) and manual focus (no focus lock delay). The cap remained on (insuring a black file and also the smallest file size) and a freshly-formatted quick memory card was loaded.
Using a Lexar 128GB skilled 1000x UHS-II SDXC U3 Memory Card, the 6D Mark II repeatedly captured twenty four RAW frames in three.53 seconds to slightly exceed each the rated drive speed (6.8 fps) and also the rated buffer depth. victimization this card, a further frame was captured quickly when the twenty fourth so each .38 seconds upon buffer full state. the total buffer wrote to the cardboard in concerning half-dozen seconds.
This buffer capability ought to be thought of best-possible for the documented card and your in-the-field results can doubtless vary a minimum of slightly.
Always helpful for understanding the speed of a selected frame rate may be a visual example. Drag your mouse over the labels beneath the subsequent image for a visible verify half-dozen.5 fps.



when your dad is a photographer, a lot of your "senior photos" are any of these captured during your senior year (or the summer season following). we're mechanically capturing memories of the children and one among Brittany's priorities was to have a few "senior snap shots" of herself using her palomino quarter horse, "Nugget". She raised the horse from a foal, educated it and is going to miss the pony greatly even as away at university q4.
late on a Saturday afternoon, Brittany got here into my studio to inform me that she had the indoor ring at a nearby solid to herself for an hour and requested if I could come photograph her using there in forty five mins. I recognize, you're questioning that her dad and mom didn't teach her approximately planning ahead, however i'm usually searching out photo ops, specifically of my kids, and ... I had the 6D Mark II looking ahead to a very good exercising. i'll leave the relaxation of the tale for later inside the assessment, but inside the  units above, you notice Nugget transferring at a modest pace and then cantering fast.
In about an hour and twenty minutes, I had a totally adequate 1,800+ photographs to pick from.
while a excessive velocity burst is a notable manner to seize a height second, the 6D Mark II's very brief 60ms shutter lag makes it very responsive, able to capture an picture in unmarried body pressure mode at the suitable time you make a decision it desires to be captured.
digital camera sounds are recorded using a Tascam DR-07mkII transportable digital Audio Recorder with file tiers set to 50% at -12db gain and positioned 1" at the back of the rear liquid crystal display. observe that the 6D (Mark I) sounds had been captured with an older recording configuration, but minimally the body rate is relevant.
that is a noticeably quiet-operating DSLR. while Silent unmarried and Silent continuous modes are to be had and that they have a few gain, their biggest benefit seems greater to gradual down the price of sounds happening than reduction of the general sound stage. stay view capturing can also be used to in addition minimalize the 6D Mark II's audibility.
An interesting new force mode obtained with the aid of the 6D Mark II is "non-stop capturing after 10 sec. self-timer". Configure the 6D II to take 2 to ten photographs in this mode, release the shutter and the camera proceeds to take that selected variety of pics after waiting 10 seconds. this is a pleasing option for placing your self in a scene and heading off blinks.
I would really like to see the replicate lockup with self-timer featured in this digicam, however the 5Ds and 5Ds R remain the handiest modern EOS fashions supporting this beneficial characteristic.
As noted, the 6D II's max shutter velocity stays 1/4000, a decrease-cease price. while this pace is rapid enough for most uses, the ones the use of intense-wide apertures (including f/1.four) below direct sunlight may additionally find themselves wanting the 1/8000 option. A impartial density clear out is regularly the answer for this situation.
commonplace is for Canon's decrease give up camera models to receive a flash max X-sync shutter velocity of 1/200 and even the low-stop insurrection T6 receives this price. The Canon EOS 6D Mark II falls quick of even the T6 on this regard with a max X-sync specification of one/one hundred eighty. at the same time as the distinction is an basically-irrelevant 1/6 forestall, if the camera is about for 1/three forestall increments (my cameras usually are), 1/180 isn't an alternative on the dial. the nearest longer shutter pace setting available is 1/160 and 1/160 is a barely-more-meaningful 1/three stop narrower than 1/two hundred. To achieve the 1/a hundred and eighty placing requires the digicam to be set to half of forestall adjustments. As normal, high speed sync is to be had for tons shorter exposures.
Autofocus
As most of us rely upon autofocus for the majority of our focusing desires, the accuracy of a digital camera's AF system overall performance is paramount. And, one of the number one lawsuits regarding the authentic 6D was its incredibly antiquated AF machine. whilst i discovered the middle AF factor (the handiest go-kind factor available) to be very good (together with in low mild), the ten peripheral AF points had been not as assuring.
Canon delivered a completely new AF machine with the 80D and that device has been migrating to other EOS fashions, along with the riot T7i and 77D, and now that list includes the 6D Mark II. This AF machine covers the identical location within the body because the 6D I's AF device, however it features 45 AF factors which can be all horizontal and vertical move-kind focusing (sensitive to strains of evaluation in both instructions) with lenses having an f/five.6 or wider max aperture.




The 6D II's center AF point acts as a dual cross-type touchy factor when an f/2.eight or wider lens is used, turning into touchy to horizontal, vertical and diagonal traces of comparison for higher focusing precision.
at the same time as this description gives the AF assist for most lenses, fact is a bit greater complicated with some lenses receiving decreased guide. Canon has grouped all lenses into categories. most modern lenses fall beneath class A (complete abilties) or B (middle AF factor no longer twin cross-kind), but some older lenses, as an example, fall into category "D", assisting horizontal line detection (not move-type) inside the facet AF point banks. web page a hundred forty five within the owner's manual (a link is provided at beginning of this review) starts offevolved the entire information, however classes A through H are covered, with lowering AF capabilities being supported.
whilst corporations G and H have the least AF device assist, things are better than they seem. maximum of the lenses blanketed in these organizations are absolutely lens plus extender mixtures with maximum apertures of f/8. That the 6D Mark II functions AF with f/8 most aperture lens combinations is a big deal.
mainly precious to wildlife photographers, an extender may be set up behind a lens, developing an f/eight max aperture, and AF is retained. depending on the mixture, the vertically targeted 27 AF points (category G) or the middle AF point-best (category H) is activated. once more, see the owner's guide for the unique mixtures supported.
whilst capturing a still problem, it is easy to attention the usage of best a small quantity of attention points. Even just one cognizance point is good enough in many conditions when DOF (depth of area) is deep enough to make amends for moderate discrepancies as a result of recomposing. surely cognizance on the situation via 1/2-pressing the shutter launch, recompose and absolutely press the shutter release.
however, the tale is exceptional whilst the challenge is in movement and AI Servo situation tracking calls for a focus point continuously positioned at the subject. In this situation, there may be a extremely good compositional gain to having extra consciousness factors available (each for automatic monitoring and for manual selection).
The tale is also special while the use of a focal duration and aperture mixture with a very shallow depth of area. In this case, the alternate in camera angle required for the recomposition can tilt the aircraft of sharp focus to in front of or at the back of the problem. as a consequence, extra recognition points available can lessen (or remove) the attitude change required for recomposition. The more advanced cognizance factor era additionally manner that the peripheral factors can be relied upon more closely.
The Canon EOS 6D Mark II's AF region alternatives are unmarried-factor AF (pick one AF factor), region AF (select one of 9 AF location focusing zones created from 9 AF factors – one among three on left, 3 in center or three on proper aspect), big region AF (pick out considered one of three big AF place focusing zones – 15 AF points on left, center or proper) and car AF point selection (all forty five AF factors energetic – closest subject receives priority).






while the authentic 6D did not have the most-extraordinary AF system available, it did have one very extraordinary AF feature and that become the capability to cognizance in mild ranges as low as fine-available -3 EV (simply darkish) with its middle AF point. That gain is carried ahead with the 6D II's AF gadget receiving the same spec (middle AF point with an f/2.eight or wider lens). The camera fashions i've examined with this AF device cognizance in light levels so low that I had trouble seeing anything and this one additionally focuses in very darkish situations. don't forget, comparison is needed for AF, so location an AF factor on contrasting shades in the favored aircraft of sharp consciousness. AF lock times can growth appreciably in low mild, but this low mild AF overall performance development will genuinely trap the eye of photographers trying to shoot in dark venues, specially wedding photographers.
Autofocus MicroAdjustment (AFMA) was blanketed in the unique EOS 6D and it again is featured inside the II.
As i've stated earlier than, one of the maximum-challenging digicam features to check is autofocus performance. With an endless number of feasible consciousness instances and severa digicam AF alternatives available, it is not feasible to carry out an exhaustive set of tests. nonetheless, solid notion of a camera's AF gadget competencies may be discerned.
One Shot AF with a still problem is each the easiest AF mode to test and the very best for the digital camera to execute. The photographer can cautiously manipulate wherein the focal point point is placed and, in particular if a tripod is utilized, can insure motion does no longer have an effect on the results. The 6D Mark II has been acting extraordinarily properly on this mode, along with under a wide style of conditions. This digital camera in no time and reliably focuses on the supposed concern.
AI Servo (continuous) AF mode is, however, very challenging to check and monitoring a transferring challenge could be very challenging to the AF system. The point of ideal attention should be anticipated for a quick-moving difficulty to be synchronized with the correct second the shutter opens. shooting a hard state of affairs that is familiar to me is the pleasant technique i've located to as a minimum get a baseline contrast and the performance i've skilled from this AF system has varied a piece, from excellent on the 80D to affordable on the 77D.
I began to talk approximately one of the AF eventualities where I applied the 6D II inside the body rate dialogue. while indoor using arenas are one step above the definition of a "cave" in terms of brightness, positioning so that the pony and rider were going via a shaded window gave me a no longer-too-bad 1/one thousand shutter pace at f/2 and ISO 2000 (the use of the Canon EF 200mm f/2L IS USM Lens). different scenarios within the arena required ISO settings of up to ten thousand to advantage marginally-action-stopping shutter speeds.
despite the fact that the 200mm f/2 combination's shallow depth of area places a excessive requirement on an AF device, universal, I got here away from the barn unimpressed with the movement monitoring overall performance of this AF system. This is not Canon's high-quality. but, i have a long way extra sharp snap shots than i have use for and the low mild image exceptional without a doubt made it well worth having a full body digicam in hand. If there are not any 2nd danger opportunities for shooting movement and getting the shot is critically important, stepping up to the EOS 5- or 1-series models is recommended. in any other case, this digital camera can get the process finished.
in addition to the extremely fast traditional AF gadget, this digital camera capabilities Canon's very impressive twin Pixel CMOS AF generation. This generation became groundbreaking with the creation of the EOS 70D, permitting sensor-based phase detection AF. each pixel on an imaging sensor in a DPAF implementation is dual purposed with phase detection AF being the secondary one. for the reason that imaging sensor pixels are capable of carry out each imaging and rapid section-detection awareness size concurrently, continuous AI Servo-like AF is available in movie mode, "film Servo AF".
twin Pixel CMOS AF generation is rapidly making its way at some stage in the EOS lineup and this precise new release of twin Pixel CMOS AF is similar to the 80D. It features progressed tracking sensitivity over earlier implementations, bearing in mind higher AF results in tough, low-mild conditions. This DPAF implementation performs very much like the traditional AF gadget in phrases of speed – it's far impressively speedy.
live View and film focusing modes using the dual Pixel CMOS AF encompass Face Detection with tracking, smooth zone, and live 1-point AF. All paintings thoroughly and the face detection technology has been in particular dazzling. The potential to modify AF velocity and monitoring sensitivity is supplied in this implementation. This digicam supports AI Servo monitoring AF and burst mode (decreased max fee) at some stage in live View in Multi and unmarried AF selection.
As with the 80D, 77D and rise up T7i, the 6D Mark II's capacitive touchscreen allows for contact focus throughout both live View still images and earlier than/during video recording. just touch the lcd wherein you need the digital camera to consciousness and it happens – easily. touch focus is quite simple, responsive and powerful.
Sensor-based totally AF consists of benefits over conventional segment-detection AF. The AF coverage region includes a complete eighty% of the body (measured horizontally and vertically) with out a restrict on a "range" of attention factors to pick out from or encompass in vehicle AF. No AF Microadjustment calibration is wanted due to the fact the real imaging sensor is being used for AF (vs. the focusing screen). And, AF can feature with digicam and lens combos having an f/eleven or wider aperture (vs. f/8 with the 6D II's traditional AF) – again, the use of eighty% of the frame.
if you image using stay view or document movies, you will love Canon's present day twin Pixel AF generation.
Video
way to the aforementioned twin Pixel CMOS AF technology, high grade video seize is substantially simpler compared to this digital camera's predecessor.
The 6D II facts video in .MP4 or .MOV layout using the MPEG-four AVC / H.264 codec, with audio being recorded in Linear PCM (.MOV) or AAC (.MP4) thru dual front microphones (generating stereo sound) or the 3.5mm stereo enter jack. Sound recording tiers may be set to car, guide (64 levels) or Disabled totally. sadly, Canon determined now not to consist of a headphone terminal in its price range full frame imparting. Wind filter and Attenuator options can be set in the sound recording menu.
available body fees and compression include:
MOV:
1920 x 1080 (full HD): 30 fps (29.97 fps) / 25 fps / 24 fps (23.98 fps)
ALL-I compression most effective
MP4:
1920 x 1080 (full HD): 60 fps (fifty nine.ninety four fps) / 50 fps / 30 fps (29.ninety seven fps) / 25 fps / 24 fps (23.ninety eight fps)
1280 x 720 (HD): 60 fps (fifty nine.ninety four fps) / 50 fps / 30 fps (29.ninety seven fps) / 25 fps
user selectable IPB (fashionable) or IPB (mild) compression
One specifically disturbing quirk concerning film recording with the 6D II is that once the digicam is ready to Shutter priority (tv) or Aperture precedence (Av) mode, the camera will vary each the shutter and aperture to maintain exposure, similar to if the camera were set to program (P) mode. For the ultimate manipulate, use guide (M) mode with auto ISO (as wished).
a lot of Canon's today's DSLRs have featured HDR film capture and Timelapse films, and the 6D II follows this trend. but, the 6D II is the first Canon DSLR able to capture 4K, UHD-1 timelapses (.MOV, movement JPEG, 29.97 fps) similarly to the FHD (.MOV, ALL-I, 29.ninety seven fps) timelapses featured in several other Canon DSLRs. Timelapse movies may be created in nearly any mode and the feature is enabled via the digicam's menu device as are the timelapse variables, capturing c programming language and wide variety of shots. The shooting c language time may be set everywhere from 1-second to ninety nine hours, 59 mins and fifty nine seconds while number of photographs can possibly be set from 2 to 3600 (if just like the 80D).
during Timelapse movie capture, the digicam's battery-saving car Off feature is disabled as is any lens image Stabilization (if relevant).
In HDR film Mode, the digicam will try to reduce spotlight clipping with the end result of increasing dynamic range whilst filming in high-evaluation environments.
Video recording can be began and stopped the usage of the extraordinarily encouraged Canon RC-6 wi-fi far flung manage and Canon BR-E1 [Bluetooth] wi-fi far off manipulate add-ons with the far flung manipulate capturing menu choice enabled. regrettably, as of overview time, the EOS programs (iOS & Android) do no longer help remote video capture.
New to the 6-series is in-digital camera five-axis virtual image stabilization in movie mode, aptly known as film digital IS, a feature intially delivered with the EOS M5. movie digital IS has been designed to reduce camera shake in the course of film recording, and it works with each picture stabilized and non-stabilized lenses. notice that during-digicam stabilization will no longer be enabled when a stabilized lens is connected and the in-lens stabilization transfer has been set to OFF.
usual, the 6D II's video-particular capabilities blended with its complete frame sensor make it an attractive alternative for the ones inquisitive about producing high exceptional movies.
publicity/Metering system
Borrowed from the 80D is the 7,560-pixel RGB+IR metering sensor, permitting pores and skin tone and coloration detection that works along side AF for beautify tracking sensitivity.
to be had metering modes are Evaluative (entire scene is analyzed within 63 zones), Partial (6.5% of viewfinder location at center), Spot (3.2% of viewfinder area at center) and middle-weighted (entire scene is analyzed inside 63 zones with middle of viewfinder having extra affect) with a metering variety of EV 1 - 20. live View metering modes are Evaluative (315-area), Partial (6% of viewfinder location at center), Spot (2.6% of viewfinder region at middle) and middle-weighted. The live View metering range is EV zero-20.
exposure (and vehicle white balance) systems are exceedingly advanced and every EOS version appears to deliver improvement. This system works very well in the 80D, making it smooth to capture perfect brightness and color balance right out of the digicam. With a next-generation DIGIC processor, I expected no much less from the 6D Mark II and it has brought in this expectation. New is the capacity to influence automobile White balance via ambience precedence or White priority settings, similarly lowering colour corrections needed in the course of put up processing.
An great fantastically new Canon EOS generation that has now arrived within the 6-collection is light flicker avoidance. if you have ever photographed under flickering lighting fixtures, including the sodium vapor lamps particularly common at carrying venues, you already know what a hassle that sort of lighting fixtures can motive. One image is vivid and the following is notably underexposed with a totally exceptional shade forged. the bigger hassle occurs when using fast/short movement-preventing shutter speeds beneath those lighting.
i'll share an instance of this technology the usage of the 80D. in the pinnacle half of the subsequent instance are eight consecutive frames captured in a 7 fps burst with a 1/one thousand 2nd shutter speed. The challenge is a white wall and the lighting are fluorescent tubes (I needed to go all of the manner to my basement to discover those  sets of four four' fluorescent tube lighting fixtures). 





the bottom set of results display off the Canon's sport-converting Anti-flicker mode. The most effective distinction in the seize of the second set of pics become that Anti-flicker mode was enabled. these were a random choice of eight consecutive frames, however the results from all Anti-flicker mode enabled frames have been comparable. i am now not going to say that those outcomes are flawlessly-evenly lit, but ... they're dramatically better than the everyday captures and you will now not see the less-than-flawlessly-even lights in most real global images without a stable, mild-coloured historical past going for walks thru the body.
while enabled (the default is disabled), Anti-flicker mode adjusts the shutter release timing very slightly so that the dim cycle of the lighting is prevented. In non-stop capturing mode, the shutter lag and the frame price are both altered for top light output capture.
when light flicker is detected out of doors of the primary modes and Anti-flicker mode isn't always enabled, a flashing flicker warning optionally suggests inside the viewfinder (enabled by default). the flicker warning indicates solid whilst a flicker is detected and the camera’s putting is enabled.
because the viewfinder's metering gadget is needed for flicker detection, this selection isn't to be had in live View mode (as the mirror is locked up). further, the mirror lockup function is disabled whilst Anti-flicker mode is enabled.
at the same time as Canon's Anti-flicker mode must now not be expected to paintings perfectly in all environments, i've discovered it to work incredibly well in the ones i've tested in, including my basement, at an indoor football venue and at a local race track. i've seen the flashing "Flicker!" caution and allowing the Anti-Flicker mode has led to premiere photo capture. The post processing work required for the referenced football venue pix turned into exponentially lighter than any of my pre-Anti-flicker mode shoots at this venue.
Canon's Anti-flicker mode is going to store the day for a few events. this option alone is worth the price of the digicam for a few photographers.
Viewfinder
another very quality improve acquired by way of the 6D Mark II is the shrewd pentaprism viewfinder proposing a obvious liquid crystal display overlay, much like that found within the 80D.
really having a viewfinder is one of the big benefits gained by using stepping as much as a DSLR digicam. blessings of a viewfinder include the stableness supplied via the third point of touch ( hands and a brow) and the clean, smooth to look composition being captured (even in the brightest daylight). additional advantages of an optical viewfinder include a crisp, clear extremely-high resolution photo with no refresh or lag.
The ninety eight% view spec is an upgrade over 97%, but this spec is probably now not going to force an improve from the previous model. whilst a ninety eight% view is higher than the 95% presented in lots of lessor DSLRs, there is nevertheless a small amount of room for unintentional topics inside the body border. From a length angle, this viewfinder seems equal to the 5Ds R viewfinder while concurrently searching through both – this is to say, large.
The 6D II’s "shrewd Viewfinder" features an lcd display screen that can be optionally configured to show grid lines, light flicker detection and an digital level.
With it is continually-on (while metering is stay), easy-to-see, committed, superimposed viewfinder stage indicator, the EOS 6D Mark II makes avoiding crooked horizons (for those folks bothered by HLDS) smooth. this is a "twin" axis digital degree, indicating both "pitch" and "roll". while the digital degree function appears minor and insignificant, the small development can make a big distinction within the fine of your images if pixel-stage-destructive photo rotation is not required at some stage in post processing. Having well-leveled photos right out of the camera can also shop many hours of work after a huge shoot.
inside about +/- 1° of accuracy, an electronic viewfinder degree indicator shows approximately +/- 1-4+° for pitch and +/- 1-7.5+° for roll. This indicator is lively best at the same time as the meter is stay (1/2 shutter launch press activates). A dual-axis electronic level is likewise to be had on the rear lcd and also available for the duration of stay View (press the info button until this selection shows), but no longer while face+monitoring is selected inside the menu (the default).
As common, a diopter adjustment is supplied to cognizance the viewfinder on your eye.
tour of the Canon EOS 6D Mark II
Canon has designed and produced a completely large variety of DSLR cameras and the maturity of EOS designs display. those who've never used an EOS digital camera earlier than will respect this maturity. a part of this adulthood way that many digital camera fashions proportion strong layout similarities, because what is right for one camera is regularly desirable for at least maximum. diverse digicam fashions sharing similar design method that it is simple to interchange between fashions and people familiar with the recent EOS **D (which include the 80D), 5-, 6- and 7-series cameras will with ease familiarize themselves with the 6D Mark II.
back of the digicam
The back of the 6D Mark II indicates only a small number of changes from the authentic 6D. however, this sort of adjustments is big.



The large trade is of course the vari-perspective contact display screen lcd with the 6D II being the first full body Canon EOS version to benefit this option. that is a three.0" (77mm) liquid crystal display with approximately 1,040,000 dots and features a strong-country structure design for readability, durability and an approximately one hundred seventy° viewing attitude. An anti-smudge coating has been applied to this liquid crystal display, but an anti-mirrored image coating has been overlooked (you could see the mirrored image difference in aspect-by using-side contrast).
This lcd is found in many of Canon's modern EOS models (which includes within the 80D, 77D, riot T7i, rise up T6i and revolt T5i) and ... it is a totally sturdy camera feature. Having the lcd capable of articulate into a huge range of angles is a massive asset, making the digital camera effortlessly usable in a huge type of positions, starting from on the ground taking pictures immediately up to selfie orientation. prolonged and forward-dealing with (with out a blockage when tripod-established), this liquid crystal display makes self-recording easy. i have often desired the vari-perspective feature in a complete frame EOS camera and ... now we've got it
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As touch manage becomes greater commonplace in DSLRs, this option also becomes greater familiar and therefore, extra useful. What am I the usage of the liquid crystal display's touch functionality for? Touching to select the point of interest point place in live View or video recording is considered one of my preferred uses. Pinch-to-zoom whilst reviewing snap shots – and drag to pan round a zoomed photograph. bounce from one menu tab or option to  menu tab or alternative by means of touching that tab or choice. quickly trade camera settings such as ISO without a need to click on usually to go from a low ISO to a high ISO cost – simply contact the cost. practically all placing adjustments can be made the use of contact.
contact Shutter control is yet again available, allowing a photo taken whilst the touched factor locks focus.
displaying incredible maturity and utilizing the lcd is Canon's very smooth to apply and logically laid out menu gadget. assisting in ease of use are elective Mode and feature guides that, whilst enabled, show information approximately digicam settings as they're being changed.
The Menu and information button once again take up their Canon-wellknown positions on the top-left, a vicinity effortlessly located with the aid of the left thumb. The live View/Video selection lever surrounding the start/stop button is within the additionally-cutting-edge-standard function (to the right of the viewfinder) as are the AF-ON (for back-button AF capability), exposure lock and AF point selection buttons located on the pinnacle right.
the additional actual estate consumed through the vari-angle lcd forces some buttons to be moved just barely in function, but they retain the identical functions. beginning at the top right of the lcd, we first discover the amplify button and then the "Q" button, presenting "short" get right of entry to to a context-sensitive menu. the ever-present playback button is subsequent-down.
closing lacking within the 6D-collection is the joystick controller. Filling the void fairly is this digital camera's multi-controller, providing a rotating outer dial encircling an 8-manner directional transfer with a "Set" button in the middle. at the same time as this manipulate positions a variety of functionality on the right thumb, this control maintains to no longer be my favourite. i really like the usage of the 6D II's controller better than the insurrection cross keys controls, but assume it could be remodeled modestly to offer more particular/superb control over settings in use. unintended button pressing once in a while happens while attempting to use the dial. Deeper recessed positioning of the 8-way controller would be a first-rate start (and possibly sufficient for perfection).
The also-ubiquitous erase button is next down. observe that this button calls for a deep press to characteristic. at the same time as this press intensity may additionally assist save you inadvertent deletions, it additionally affords a venture for gloves-on use. the alternative digital camera back trade from the 6D I is the lock transfer, going from a slide to a lever fashion steady with the 80D's layout.
The SD card slot cover is positioned to the a ways right.
be aware that among the 6D Mark II's buttons and controls may be customized to offer alternative



Top of the Camera

The top of the 6D Mark II appears nearly identical to that of the 6D (and a large number of other Canon EOS bodies).




The camera frame pinnacle view contrast tool lets in evaluation of many extra Canon EOS models.
the only exchange well worth citing is the AF location selection button introduced just to the left of the shutter launch. that is a completely advantageous addition, providing short access to the AF vicinity alternatives.
A key to controlling the digicam is the mode dial and the 6D II modes gift on this dial are similar to discovered at the 6D I. The lock button prevents inadvertent adjustments and with the lock button pressed, the mode dial turns very easily.
don't need to position any concept into your digital camera setup? The 6D II has you blanketed with the "A+" mode, referencing "automobile" mixed with DIGIC 7 processor-powered artificial intelligence. even as it can be referred to as the "mindless" mode, that doesn't seem to offer it the credit score it merits. There are times whilst even a seasoned photographer wishes to select up the digicam and have it take a image speedy, with out hesitating to check settings. This mode does that.
SCN (special Scene) mode is yet again featured, permitting the photographer to give the digicam a more potent trace to what is being photographed. flip the mode dial to SCN, press "Q" and choose between Portrait, group image, landscape, sports activities, children, Panning, near-up, meals, Candlelight, night Portrait, hand-held night time Scene and HDR Backlight control. The digicam will robotically pick the settings it thinks are best on your scenario. How frequently will some of the SCN modes be used? i am guessing that the Candlelight option will not be known as upon often by using most. As I noted in the 80D evaluate, pulling a digital camera out throughout a romantic candlelight dinner *may* sour the mood. but, there is no damage in having all the modes to be had and they in all likelihood add nothing to the cost of the camera.
those with some fundamental pictures knowledge can use the CA (creative vehicle) mode to make camera settings adjustments the usage of effortlessly-comprehensible words in place of numbers. the total set of creative mode alternatives (P, Av, television, M and B) are provided for the photographer to take as a good deal control over their publicity settings as preferred.
especially fine is that a pair of "C" (custom) modes are to be had for immediate do not forget of digicam settings. i exploit the custom modes very often and one simply is not enough (see: Configuring custom shooting Modes).
at the same time as the 6D Mark II (just like the 80D) offers one extra button in the front of the top liquid crystal display than the 7D Mark II and five-series our bodies, these buttons all have a unmarried-function vs. the twin-function variety located inside the other fashions, ensuing in modestly much less manage standard.
facet of the digicam
With much less actual estate available on them, the edges of the digital camera are seldom exciting, however useful functions are found here nonetheless.




The ports on the left side of the camera, from top down, are microphone input (3.5mm stereo mini jack), USB (2.0) and HDMI. An N3-style remote control port is found just in front of the left side.
As mentioned previously, the SD card slot is found on the right side of the camera.



The vari-angle liquid crystal display pushes the 6D II's dimensions barely deeper than its predecessor, however ... I suppose maximum folks can overlook the .1" (three.6mm) distinction for that benefit. The 6D II is smaller than the five-series models, though not dramatically smaller. Weighing about four oz (70g) much less is likewise a advantageous characteristic, but additionally no longer a dramatic difference.
The 6D II and 5D-series grips sense very comparable and that may be a very high-quality characteristic. The 6D offers good enough grip area (inclusive of for the pinky) for complete manipulate of the digital camera with even the largest lenses established. while there are smaller cameras available, those fashions typically sacrifice the grip and if using a camera a lot, that sacrifice can be observed. The 6D II can be easily used for lengthy periods of time.
construct nice and sturdiness
whilst the 6D Mark II represents the low quit of Canon's complete body DSLR models, it feels some thing however low quit.The buttons and dials provide excellent haptic remarks with with positive clicks (the rear 8-way multi-controller being an exception).
treasured is this camera is made to take a few surprising climate troubles. Canon states "The battery compartment cover, card slot cover, lens mount, terminal covers and buttons are climate-sealed to assist hold water and dust out."

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